Café de Flore

Normalement ça marche : il faut cliquez sur le bouton bleu qui est sur la vidéo. Il y a aussi de la pub.

J'ai beau ne pas être calée en informatique, j'avais compris comment lançer la vidéo !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Je ne suis pas blonde non plus !!!!!!!!!!!!!!

( il y en a assez pour montrer que c'est de l'humour, je ne voudrais pas être accusé de te parler mal, La Marinière).

Merci quand même.

Ah bah on n'sait jamais lol !
Tu as pu la regarder maintenant ?

Alerte fnac reçue : Le DVD sort le 6 juin prochain

J'ai enfin réussi à voir la vidéo !!!!

J'ai du passer par Firefox.

La tournée des Festivals continue pour Café de Flore : prochaine étape, le Japon pour le Festival International d'Okinawa.
Il sera projetté les :
-vendredi 30 mars à 14h20
-samedi 31 mars à 11h40

http://www.oimf.jp/cgi-bin/2012/en/lineup/index.cgi?c=zoom&id=28

Peut-être que Vanessa est restée là-bas pour continuer la promo du film avec Kévin Parent qui lui sera présent pour ce festival!
Source

Sad, Vanessa est rentrée chez elle... tant pis.

Je viens de recevoir mon affiche par la poste gratis !

Nouvelle BA avec extraits - spoilers

Les DVD et Blu-Ray sont dans les bacs depuis ce matin!
Apparemment en bonus il y a une fin alternative

Sortie de Café de Flore en Corée en juillet
Aussi sortie en Espagne le 31 août

Il va falloir que je l'achète ce DVD. Dommage qu'il n'y ait pas les mêmes bonus sur le DVD que sur le blu-ray.

L'affiche US

click

Interview en anglais - inédit pour moi

Je me souvenais plus de cette vidéo, merci!

Pour la promo US:

Pas très belle cette photo!

Entrevue for Vulture

Citation :

Vanessa Paradis on Her New Movie, Café de Flore, and the Problem With Soulmates
By Aysegul Sert



“Love starts with a gut feeling, but that gut feeling better be nourished,” says Vanessa Paradis, relaxing on a sofa in an apartment on the Upper East Side on a warm pre-hurricane afternoon in October. “When you hear a man speak and you think what he says is so wonderful, then you are in big trouble—I know I am. It’s about words and action. Words are not enough.” She’s responding in general terms to a question about her new movie, Café de Flore, a love story, but it’s hard not to read something more personal into her answer: Though Paradis is famous in her native France for acting and singing, she’s best known to Americans as the former girlfriend of Johnny Depp, father of her two children, with whom she split in June after fourteen years together.

“New York is the city of freedom,” says Paradis, 39, gazing out the window to- ward the East River. “When I left my parents’ home at 19, it was the first place I lived by myself. In France, I had been famous for some years, but here I could be anonymous. I’m so happy [to be back] I get cramps in my cheeks because I keep smiling.” She came in 1992 to collaborate on an album, her third, with then-boy- friend Lenny Kravitz. She’s returned now to shoot Fading Gigolo, a comedy direct- ed by John Turturro in which she stars alongside Woody Allen and Sofia Vergara, and to discuss her current film.
Café de Flore, from Canadian writer-director Jean-Marc Vallée (C.R. A.Z.Y., The Young Victoria), follows two seemingly unconnected narratives: In present-day Montreal, a nightclub D.J. (Kevin Parent) leaves his wife for a younger girlfriend, and in late-sixties Paris, single mom Jacqueline (Paradis) struggles to raise a son with Down syndrome and feels betrayed when he develops a crush on a schoolmate with the same condition.

“Jacqueline is a bulldozer of love and fear,” says Paradis. “She is completely taken by the love she has for this little boy. She’s got nothing and nobody else. In the sixties, the life expectancy of a person with Down syndrome was 25 years, and she is terrified to lose him.”
Though the role won her a Genie Award (a Canadian Oscar equivalent) for Best Actress in March, Paradis doubts she was Vallée’s first choice. “He wasn’t sold on me,” she says. “I had this glamorous image, and he was looking for the opposite of that. But [on the day we met], something had come up in my life that had upset and worried me, so I wasn’t trying to be seductive or charming. I wasn’t rude, but I wasn’t fake, and I think this is exactly what he liked.” Still, downgrading a Chanel model’s looks to those of a regular, unglamorous person was a formidable undertaking that required “intense preparation,” says Paradis. “We stripped her of any seduction, sex appeal, or femininity. That’s why I had those brown-colored clothes, dyed my hair, had no makeup on, and wore uncomfortable vintage shoes that gave me a certain walk.”

She didn’t mind roughing it, though. “We shot for seventeen days, and when we were done, I wished we had six more months,” she says. “Jean-Marc and I would speak about music all the time. He’s also a D.J. He played music on the set every day.” In fact, says Paradis, whose most recent album was released in 2010, if forced to choose between the two, she might opt for music over movies. “When you sing, you release your diaphragm, which is where the stress gets stuck,” she says. “When I act, I’m someone else’s interpretation, it’s someone else’s direction. But music is my world, it’s my emotions, and it’s my stories.”
Paradis’s stories might be too complicated and unpredictable to tell within the constraints of a two-hour movie—even an emotionally complex one like Café de Flore, in which the concept of romantic destiny emerges as a major theme. “The idea of a soul mate is a beautiful thing to put in a film or in a book, but in real life I’m scared by it,” she says (while declining to discuss her recent breakup). “It’s like putting a label on love. To say, ‘You are, forever, my soul mate,’ is almost like knowing the end of a story. When you fall madly in love, you think it is forever, and it might be and it might not be—what matters is not to label it.

Café de Flore Directed by Jean-Marc Vallée. Adopt Films. NR

http://www.vulture.com/2012/11/vanessa-paradis-cafe-de-flor.html

L'amour rend aveugle. Merci La Marinière pour cette interview!

A vrai dire, je ne comprends pas très ce qu'elle veut dire et le rapport avec JD... qu'il l'aurait abreuvé de belles paroles mais n'aurait pas agi en conséquence ???

Citation :

Hitting theaters today is Vanessa Paradis's latest film, Café de Flore, in which she plays a single mother in 1969 Paris, who struggles to protect her son with Down syndrome. The decade-spanning, French-Canadian drama juxtaposes two unlikely stories and spotlights Paradis as Jacqueline. "She’s tough, rough—even violent sometimes—almost like a solider," the French singer, actress, and model told ELLE.com about her character. "But it all comes from a good heart. She’s a mother before, after, and beyond anything else."


Known to the American public for her dating record—which includes relationships with Johnny Depp and Lenny Kravitz—Paradis has an impressive music, film, and fashion resumé as well. She scored global attention for her single "Joe le Taxi" at age fourteen, recorded five albums, starred in a number of foreign films, and won a César Award (the French Oscar) and a Genie Award (the Canadian Oscar). Next year, she’ll make her American film debut starring opposite Woody Allen in Fading Gigolo.


ELLE.com met up with Paradis to discuss her current filming situation in New York, how she got into character as Jacqueline, and her one true 'like' in life.


ELLE: You’re currently filming Fading Gigolo in New York. How is that going?

Vanessa Paradis: I used to live here long ago—20 years ago—and being back and working here is an amazing feeling…[In the film], I play a Hasidic widow. I have all kinds of special outfits—long skirts and wigs—and, boy, I get to say my lines to Woody Allen in New York. That’s pretty awesome.



ELLE: What was your first Woody Allen film?

VP: Annie Hall.


ELLE: How do you first approach a role?

VP: The first way in is to find out what the director has in mind. It’s great to bring your ideas, but it’s also important for me to get out of my head and get into some else’s ideas. To become Jacqueline, specifically, [director] Jean-Marc Vallée and I spent a lot of time talking about the look of her, the voice of her, and her body language. I had to erase a lot of my natural maternal insights and tenderness that I have, [because] Jacqueline was not going to be any of that.


ELLE: Everyone seems to comment on your look—that you're not glamorous in this film—does that surprise you?

VP: It’s weird. They’ve been to movies before, right? That’s what actors do. If you’re going to play a character who has a deformed face, you should have a deformed face. This woman that I’m playing is completely out of seduction and taking care of herself, and she has no money. That’s what we wanted to show. This woman does not care about being alive, except for her son. So, it wouldn’t have made sense to have her be like Jessica Rabbit.


ELLE: Is there another era you’d like explore in film?

VP: Yes, I’d love to be in a 1910s film—the era between the corsets and losing the corsets.


ELLE: Which job—musician, model, actress—do you like best?

VP: I really like them all, but the one that is closest to me is the music. It’s something that’s closer to my world, my heart, my dreams, and my escapes. With movies, it’s getting into someone else’s world, but doing a record is a personal project. If I’d have to choose one, I’d choose music, but I’d like to keep doing them all.


ELLE: What is your definition of motherhood?

VP: Once you’re a mom, whether you’re kids are next to you or far away from you, you’re always a mom. My job makes me travel a lot and too often I’m away from my children, but I don’t ever stop being a mom inside my head and my heart. There is no higher love than that.

http://www.elle.com/news/culture/vanessa-paradis-interview?src=soc_twtr

New to me!